Raghavendra Rao Raghavendra Rao was an assistant director for that film.
#ADAVI RAMUDU SERIAL#
Satya Chitra banner (of producers Nekkanti Veera Venkata Satyanarayana and Arumilli Suryanarayana) started their first film with Sobhan Babu’s Tahsildar Gaari Ammaayi (November 12, 1971), which was based on a serial by Kavilipati Vijayalakshmi in Andhra Prabha titled Vidhi Vinyaasaalu. Sridhar, Jayasudha, N.T.Rama Rao, Jayaprada, K.V.Chalam with Sujji, Vijji and Bujji (elephants) I am really happy that I made such a film with my cousin Satyanarayana.
The film is such a big success that people of that generation speak volumes of it and feel nostalgic even today, wherever I go. After completing the shooting, he just complemented us saying that shooting of this film shall remain as one of the best memories in his life. But Ramarao gaaru knew KRR well enough since the time Raghavendra Rao assisted ‘ pouraaNika brahma’ Kamalakara Kameswara Rao in Pandava Vanavasamu and agreed readily to do the film. His much-celebrated Jyothi didn’t start by that time. Gopal, to Puri Jagannath followed similar story lines to create wonders.Īfter a disastrous Prema Bandham, we planned Adavi Ramudu with Ramarao gaaru, and a two-films old Raghavendra Rao. The trend set by Raghavendra Rao with this film is followed even now. The film set the trend to shoot the climax in a large scale! Earlier, climax was generally shot in villain dens but not in such a huge set or with so many people in the scene! Even NTR’s fight with the lion was entertaining to children. Kids liked the episodes of elephants performing pooja and hero taking bath with the help of elephants. Jayanan Vincent is son of cameraman Vincent, who is settled in Canada now.Ĭomedy dialogues by Jandhyala like charitraDakku… cheppindi vinu!, “raamaa!” anTE bootugaa vinapaDutundi were quite popular at that time. Navkanth is the son of Art director Krishna Rao, who is the brother of producer-cameraman S. Navkanth and Vincent Jayanan, the assistant cameramen for the movie, later did many blockbuster movies as cameramen.
They both did movies with Balakrishna later. Gopal were assistant directors for the film. His comedy act as Suleman miya was received well too.
#ADAVI RAMUDU PLUS#
NTR became the darling for mass appeal and that became a major plus point. All the songs were super hits, thereby bringing a craze to Raghavendra Rao and his team. kRshi unTE…, ennaaLLakennaaLLakennaaLLaku…, and the unforgettable aarEsukObOyi paarEsukunnanu… went crazy with masses among the audiences. Songs played a major role in the hit run of the film. Raghavendra Rao, and Veturi Sundararamamurthy. This film marks the first combination of NTR, K. A forest officer (NTR) goes undercover to nab the smugglers and also take revenge on the villains who killed his father. Ramarao, Jayasudha, Jayaprada, and others SusheelaĬhooDaraa chooDaraa oka choopu O Suleman miyya Kuhoo kuhoo… kOkilamma peLLiki kOnantaa pandiri SusheelaĮnnaLLak(u)ennaaLLak(u)ennaaLLaku, ennellu tirigochche maa kaLLaku!Ĭast: N.T. Ramarao, Pandari Bai, and othersĪarEsukObOyi paarEsukunnaanu harii, harii! GopalĮditing: Kotagiri Venkateswara Rao, Kotagiri Gopal RaoĪssistant Cameramen: Navkanth, Vincent Jayanan
0 kommentar(er)
